Sorcha has worked nationally, and internationally as set, costume and events designer; her skills and experience cover many different areas including opera, fringe theatre, musicals, installations and live events.
Recent credits include Britain Limited (The Bargehouse OXO Tower) Cosi Fan Tutte, Albert Herring, The Coronation of Poppea, La Périchole, Lucia di Lammermoor, La Clemenza di Tito, La Cenerentola (Opéra de Baugé, Les Capucins) The Caucasian Chalk Circle (Greenwich Theatre) The Bacchae (The Blue Elephant) Tis A Pity She’s A Whore (Tristan Bates Theatre) The Beggars' Opera (The Brockley Jack) “Gutted” (The Marlowe Theatre) “House of America (The Brockley Jack) Strangers on a Train, The Odd Couple, The Deep Blue Sea (Frinton Summer Theatre) Edward II (Tristan Bates Theatre) A Haunting (The Belgrade B2) Sorry (Birmingham Rep The Door) Aladdin (Sixteenfeet Theatre Touring) Edward II (The Greenwhich Theatre, Lazarus) The Replacement Child (Hope Mills Theatre, Abooo Theatre) The Merchant of Venice (Leicester Square Theatre, Shitfaced Shakespeare) Adam and Eve (Broken Silence Theatre, The Hope Theatre) Idomeneo, L'Orfeo, Rigoletto (Opéra de Baugé) Life Support (London Bubble Touring) Our Man in Havana, Driving Miss Daisy (Frinton Summer Theatre) Sorry (Kings Head Theatre, Edinburgh Fringe 2018)
Sorcha is currently working with Box Clever on their 2018/19 season of school tours, and Spring Awakening for Urdang Academy.
Sorcha is passionate about finding the individuality, originality, and character of each new project. She aims to work collaboratively and thus inspire the most evocative design in the context of the piece.